Artist and naturalist Sarina Brewer began creating unique artistic expressions from animal remains 25 years ago. As a child she was a keen observer of art and science. Her parents were artists and raised her in a creative environment centered around a menagerie of family pets. She spent much of her childhood outdoors interacting with nature and collecting natural history objects. Her childhood preoccupation with mythology, anomalies of nature, and funerary rituals manifested themselves in her art from an early age. As she grew into adulthood these preoccupations began to distill into her current body of work.
While earning her BFA from the Minneapolis College of Art & Design she worked predominantly with organic found objects, most of which were animal remains. These early works were shrines to the animals they incorporated, creating final resting places for them just like the dead sparrows and pet goldfish who were lavished with elaborate funerals upon their passing during her childhood. Then, as now, her pieces pay homage to the animals they incorporate. The process of preserving animal remains for use in her artwork while attending MCAD gradually evolved into taxidermy over the years. She is completely self-taught in this realm and has received no formal training in the field.
Brewer has a deep respect and appreciation for animals and the natural world. She is fascinated with the circle of life and intrigued with how different cultures honor their dead and deal with death. Immortalizing loved ones (be they animals or humans) by preserving their remains or creating sentimental remembrances out of their body parts does not sit well with the majority of western society, yet such practices have been the norm in many cultures throughout history and are still practiced today. Undoubtedly the average American thinks these so-called abhorrent traditions are only carried out by “savages” in primitive cultures, however these practices flourished during the Victorian age in the form of mourning jewelry (accessories incorporating hair and teeth of deceased loved ones) This type of veneration still exists in contemporary society, a well known example being the preserved remains of saints on display in Catholic Churches around the world. Point being, reverence is relative. Brewer deals with death, in what is considered by most, an unconventional manner. She does not view a dead animal as disgusting or offensive. She feels that all creatures exhibit beauty in death as well as in life and breathes new life into them by reincarnating them in her works of art.
Throughout the entire course of her career a primary directive has been to use only ethically procured animal materials. She is a strong proponent of wildlife conservation who participated in wildlife rescue during her college years. No animals are killed for the purpose of creating her art. All animal components used in her work would have been discarded by other individuals if she had not salvaged them. She utilizes legally collected roadkill, animals that died of natural causes, causalities of the pet trade, destroyed nuisance animals that are donated to her, and discarded livestock and wild game remnants. She believes wasting any part of an animal is disrespectful to Mother Nature, so out of respect for the animal she adheres to a strict "waste not, want not" policy in her studio. Virtually every part of the animal is recycled in some manner. She is credited as a trailblazer is this arena and played a pivotal role in the popularization of these tenets among other artists who utilize animal materials in their work.
As one of the founding members of the Taxidermy Art movement, Brewer has served as a role model for individuals practicing this art form, a notable percentage of which are female. Over the years she has been featured in numerous women's lifestyle magazines, feminist blogs, and academic journals for gender studies. She is noted as one of the key figures responsible for the large number of women creating taxidermy-based artwork, as well as the influx of women entering the field of traditional taxidermy. She is among the most preeminent creators of this variety of sculpture and her influential style can be seen throughout the genre. She continues to push boundaries, and in the last decade has carved out a unique niche not only for her own work, but for an entire art movement.